Chet Atkins - Deed I Do.tefTablEdited by Michael Joyce "i}@FFFD@HFE@GfD @ HL8EP  L8  F F` I  D@ D@L8P L8 FFD@`I  I@L8L8@L8P L8 FF I@ @L8L8@L8P L8 FF@A GF D@!L8P! !L8! "F8#F8$@$$`%I % &D &l8@'L8P' 'L8' (F8)F8*+A+F ,@,L8,f @-L8P- -f .F8./F8//I00@01I 1F `1 I 1 F 2i 2f `2 i 2 f 23i 3 f `3 i 3 f 4p4 50`5I0505 6D 7@7HF E7 8 @8GF D8 @9HL8EP9 9L89 :F8;F8 See NotesA6@DMaj7/D6@Dmin+7/Dmin6FBmin7E7  @ E7   A+ (E Bass)E+@F#+$% G+ (E Bass), E+1%2@&3 A9*8*?' D@,F?,F@ DI801I D @C# @C# 9 (+5) F# 7B7(+5)"@#B7(-9))E11@ /!0A C6 F  F9Bb6Bbmin6 FminG7(-9)C11FC+ C+ Bb+|This tune was recorded by Chet and Les Paul on their Grammy winning RCA LP: Chester and Lester. After the modulation from A to F, Les takes the lead. Then Chet comes back in. During the last bridge, the two swap leads and come to a conclusion with a pretty elaborate ending. Well, if that's what you were expecting, sorry to disappoint you. I tried to make this into a fingerstyle solo. For the bridge in F, I transposed Chet's "A bridge." And the ending is something that was going around in my mind and a takeoff on Chet's augmented chord lick in the body of the tune. Measures 26, 27, 28 29, 36, 37, 38, 44, 45, 46, 60, 61, 62: These measures have big bends or bends and releases. The next note shown on the tab is not to be played but is the sound of the note that the bend will go to. Make sure you listen to the playback and maybe Chet himself on the CD/LP. These were pretty tough for me to notate. From Measure 50 until the end I reconstructed from Chet's earlier measures to make the bridge and last pass, plus the ending. It is reminiscient of Early Chet and I don't think that he would find it out of character. c0w %).38#',16Chet Atkinss001103110000=1079B9:99<8F300P042S0/00000000000001:@5/011103'::::H<1000010?0020000000008V0000000Page &p / &n&c&2&t &c&6&s &r&3&m &r&3&t - &3&s